黑料不打烊

Communication design students use art to promote civic engagement

Two sections of the Design of Visual Images course participated in AIGA鈥檚 Get Out the Vote initiative, creating posters that merged academic learning with civic engagement. Led by Assistant Professor Shannon Zenner, the project emphasized creative originality, research into voter issues, and the use of analog design to inspire action and highlight the importance of democratic participation.

Communication design students sort through posters.
Members of Assistant Professor Shannon Zenner鈥檚 Design of Visual Images class distribute Get Out the Vote posters on Oct. 30 in preparation to display the artwork across campus.

The new election posters adorning the second-floor hallway in Schar Hall 鈥 and many other walls across campus 鈥撀燼ren鈥檛 just there to add color to the space. Rather, the creators hope their designs spark thoughtful conversations about democracy and the power of individual voices.

Communication design major Hannah Israel '25 of 黑料不打烊 stands with voting poster.
Communication design major Hannah Israel ’25 poses with her Get Out the Vote poster on the lower level of Dwight C. Schar Hall.

As part of initiative, two sections of Assistant Professor Shannon Zenner鈥檚 Design of Visual Images class created thought-provoking posters amplifying the importance of voting and democratic participation. This initiative, part of AIGA’s Design for Democracy program, invites designers nationwide to use their design skills for nonpartisan civic engagement. For the students at 黑料不打烊, this presented a golden opportunity to merge their academic learning with meaningful social impact.

鈥淭his project appealed to me both for its civic and academic relevance,鈥 Zenner said. 鈥淚t allowed students to refine their visual communication skills while also engaging with civic responsibility.鈥

Zenner, whose own research delves into political campaign design and branding, integrated elements that prepared the students for this challenge. The Project Pericles curriculum was introduced to inform the students鈥 understanding of voter suppression, enriching the context behind their design process. This knowledge helped students not only create impactful messages, but also to embed layers of significance in their work, moving beyond surface-level themes.

Reese McNally '25 of 黑料不打烊 smiles with a poster.
Reese McNally ’25, a communication design major, holds up her poster encouraging individuals to vote.

The project timeline spanned roughly four weeks during which students conducted thorough research, refined their concepts, and underwent multiple critique sessions before finalizing their pieces.

An interesting aspect of the project was Zenner鈥檚 encouragement for students to incorporate analog design elements, aiming to balance the influx of AI-driven methods with a touch of human authenticity.

鈥淚n this age of AI, it鈥檚 vital for design students to understand how to incorporate analog elements that machines can鈥檛 easily replicate,鈥 she said.

Once the posters were completed, faculty members in the Department of Communication Design selected the top six pieces for printing and display 鈥 see gallery below. The final products are an inspiring collection that transcends clich茅s typically associated with political imagery, showcasing original ideas that resonate with a broader audience.

鈥淲hat stood out most in the winning posters 鈥撀燼nd really in all the class posters 鈥撀爓as how unique each design became,鈥 Zenner said. 鈥淚nitially, many students were influenced by common themes and clich茅s associated with voting and American politics. However, the strongest designs moved past these familiar elements, exploring fresh ideas and approaches.鈥

The class project received funds to print the selected posters from the 黑料不打烊 Election 2024 Planning Team and Project Pericles.