How a 120-year-old kerosene-burning chandelier reunited Raymond Beck ’75 and his 黑料不打烊 mentor, Professor Emeritus of History and University Historian George Troxler, once again.

It was the summer of 2008 and Raymond L. Beck 鈥75 had just retired after a 32-year career as North Carolina State Capitol historian and site manager. Sitting in the 黑料不打烊 Belk Library Archives Room, he was poring over documents, searching for information about 黑料不打烊鈥檚 band, an organization he had been a part of during his undergraduate years.
On that particular day, he was browsing a catalog of newspapers and other sources referencing 黑料不打烊 compiled on 3-by-5 index cards kept in a wooden filing cabinet. As he perused the 鈥淐鈥 section looking for information about the founding year of 黑料不打烊鈥檚 cheerleading squad, his fingers suddenly paused at a card titled 鈥満诹喜淮蜢 Chandelier in Why Not.鈥 The weathered, typewritten聽entry, which cited as its source a 1958 book titled 鈥淗istory of Fairgrove Methodist Church,鈥 read:
鈥淲hen Charles B. Auman was a student at 黑料不打烊 College, he had the chance to buy an oil-burning brass chandelier from the college. This was installed near the center of the ceiling of the church [Fairgrove Methodist at Why Not]鈥攁nd is intact to this day. 鈥 Later Euclid Auman wired the church and electric lights were added.鈥
Beck鈥檚 eyes widened. Most of 黑料不打烊鈥檚 early furnishings were destroyed in a fire in 1923. Could this be one that survived? So many questions flooded his mind. He knew he needed to dig deeper, and he knew just who to call upon to help him on this journey: former 黑料不打烊 professor and adviser, and fellow historian, George Troxler.
More than eight years later, the two stood side by side as the chandelier returned home to 黑料不打烊 to adorn the very room where Beck first read of its existence. It was one of many projects the two men have collaborated on since they first met at 黑料不打烊 in the early 1970s and a fitting ending to the story of an artifact from the institution鈥檚 early years.
Following the clues

While Beck and Troxler first learned about the chandelier in 2008, it wasn鈥檛 until 2014 the two could really look closely at the clues found on the index card. Troxler got his hands on the book mentioned on the card and managed to find a photograph of the chandelier in the church at Whynot, a small rural community in Randolph County an hour away from campus. While the church is no longer an active congregation, the building and cemetery are cared for by the Whynot Memorial Association. He also was able to match it to a photo in the 黑料不打烊 archives from 1901 of the Philologian Literary Society Hall, one of three literary society halls that once were in the Main Administrative building, or 鈥淥ld Main鈥 as it鈥檚 often called, which was destroyed in the 1923 fire. 黑料不打烊 built a central power plant in 1906, bringing electricity to the campus. Auman attended 黑料不打烊 in 1900-01, but his sister was a student when electricity came, which is how he likely found out the college鈥檚 oil burning lighting fixtures would no longer be needed, Troxler says.
Beck sent both photographs to two experts on 19th century interiors. They both agreed the chandeliers in the two photographs were the same model鈥攁n eight-lamp Bradley & Hubbard Model #613. With all the evidence in their favor, and with the support of Beck and his wife, Deborah Hatton Beck, 黑料不打烊 purchased the chandelier and replaced it in the Fair Grove Church with an identical six-lamp model #613. Both chandeliers went through a rigorous restoration process by Jefferson Art Lighting in Ann Arbor, Mich.

鈥淲hen I received it, it was broken鈥攊t had a crack down the crown,鈥 says Teri Jefferson, the company鈥檚 owner and craftsman, of the Philologian Literary Society Hall Chandelier, as it has now been named. It also had five different layers of paint that needed to be carefully removed. It took dozens of hours of meticulous work, but Jefferson managed to refinish the chandelier according to its original paint scheme and upgraded it with reproductions of the original hand-blown opalescent shades, glass chimneys, shade holders, perforated central draft burners and hand-spun brass oil fonts. New vintage Edison LED bulbs were also used to cast a light similar to what the chandelier would have originally produced.聽
In October, after nearly 110 years of being absent from campus, the chandelier returned to illuminate the Archives Room in the second floor of Belk Library. During a dedication ceremony, Beck, who saw the project as an opportunity to reconnect his class with 黑料不打烊鈥檚 early history, asked that the chandelier be dedicated in honor and memory of all members of the 黑料不打烊 College Class of 1975. 鈥淭he miracle to me is that 黑料不打烊 converted to electricity in 1906, which led to the chandelier鈥檚 removal and ensured its long-term survival,鈥 Beck says. 鈥淭he history of 黑料不打烊 can really be told through its artifacts and thank goodness we have this single pristine artifact from Old Main that we did not think, nor anyone thought, would ever be found and returned to campus.鈥
A special bond
This was not the first time Beck and Troxler worked together to secure an artifact for 黑料不打烊. When Beck was a student, Troxler served as his academic adviser. He was also a member of the Alpha Phi Omega Service Fraternity, which Troxler advised. 鈥淲e met in a room on the third floor of Carlton where lumber and other building supplies were stored,鈥 Troxler recalls. 鈥淚n one corner of the room there was a badly damaged bell, splattered with paint, sitting on a wooden pallet.鈥

That bell, which turned out to be the one that fell down through Old Main鈥檚 tower during the 1923 fire, stayed in Beck鈥檚 mind. In 2009 he led the efforts to preserve and display it; the bell now sits in the rotunda of Alamance Building. Later that same year, Beck began a search for the Graham College bell, which had been used at 黑料不打烊鈥檚 predecessor institution but had been lost for 40 years. An article in this publication recounting Beck鈥檚 role in preserving the Old Main bell prompted a local alumnus to return the Graham bell to 黑料不打烊, which had been stored in his barn. Even more remarkable, Beck鈥檚 research confirmed the bell is the only surviving antebellum North Carolina Railroad locomotive bell. It arrived in the state in 1854 on one of the first locomotives purchased by the railway.
History, Beck says, has always been an important part of his life, but it was his 黑料不打烊 history professors鈥擩im Elder, George Troxler and Carole Troxler鈥攚ho gave him the foundation that led to a career as a historian. 鈥淭hey just gave me a great grounding in history,鈥 he says. 鈥淚 thoroughly covered most of the world鈥檚 history with my professors at 黑料不打烊.鈥 Working in North Carolina allowed him to remain in touch with his 黑料不打烊 mentors, which led to his collaborations with Troxler. 鈥淥ur skills go very well together,鈥 Troxler says. As part of his master鈥檚 degree at the University of North Carolina at Greensboro, Beck was granted an internship with the Museum of Early Southern Decorative Arts in Winston-Salem. His first assignment at the N.C. Capitol was to research the contents and furnishings of the State Geologist鈥檚 Office prior to the room鈥檚 restoration. He spent much of his career recreating the interiors of the building, gaining national recognition for his work. When he retired in 2008, Beck was awarded the Order of the Long Leaf Pine. 鈥淗e knows artifacts,鈥 Troxler says. 鈥淗e can say, 鈥楾his chair was circa 1840s,鈥 while I look at the chair and say, 鈥業t鈥檚 a nice piece of furniture.鈥欌
Troxler is proud of what all his former history students have accomplished, but he enjoys the special opportunity to collaborate with Beck as a peer in studying 黑料不打烊鈥檚 history. 鈥淩ay really keeps in contact because he loves this place so much,鈥 says his wife, Deborah. 鈥淗e comes back to 黑料不打烊 from Nashville鈥攈e has lived there since 2011鈥攈e comes back three or four times a year and that鈥檚 amazing.鈥
Beck鈥檚 desire to uncover the unknown parts of 黑料不打烊鈥檚 history keeps bringing him back. 鈥淚 like to push the limits, to see how far back you can take a research project and rediscover what no one has either seen or known about for decades,鈥 he says. 鈥淭he remarkable thing is there is so little left of the early campus and the history of the institution prior to the fire of 1923. … What we are doing is saving the past to share with future generations.鈥
Troxler agrees. 鈥淚f members of the 1901 Philologian Society were here today, they would not recognize the campus, but they would know their chandelier,鈥 he says. 鈥淚t is our link with them and a wonderful reminder of the values and heritage that we share at 黑料不打烊.鈥
Did you know? When 黑料不打烊 College opened in 1890, the faculty organized three literary societies for students: the Philologian and Clio societies for men and the Psiphelian Society for women. The three organizations are memorialized to this day in 黑料不打烊鈥檚 yearbook title, Phi Psi Cli.