Posts by kmeinking | Today at 黑料不打烊 | 黑料不打烊 /u/news Thu, 16 Apr 2026 20:03:42 -0400 en-US hourly 1 International Classical Studies Symposium explores the place of Roman Epic in racial and national identities /u/news/2021/06/17/international-classical-studies-symposium-explores-the-place-of-roman-epic-in-racial-and-national-identities/ Thu, 17 Jun 2021 13:42:39 +0000 /u/news/?p=871695 The Vergilian Society is a scholarly association founded in 1937 that brings together researchers, students, and enthusiasts to advance and promote the study of the Roman poet Vergil. Each year, the society hosts a multi-day international symposium, typically at Cuma, Italy, near Naples called the Symposium Cumanum on a theme chosen by annually selected conference directors.

The 2021 Symposium Cumanum, taking place June 23-26, is co-directed by 黑料不打烊 Classical Studies faculty member Tedd Wimperis. Owing to the uncertainties around the pandemic, the conference will be held virtually, and the panel sessions will be publicly accessible to anyone who registers.

The theme of the symposium,聽 invites new approaches to the ways in which Vergil鈥檚 Roman poetry has been used to construct, critique, or sustain notions of racial and national identity across time periods, and in diverse cultural contexts. The comprehensive and inclusive focus of this theme will be explored by 32 featured presenters who come from universities in the Americas, Europe, Africa, and Asia; the papers treat the reception of Vergil鈥檚 Roman poems not only in their own ancient Mediterranean world, but in relation to鈥攁s a few examples鈥攃olonialism in the New World, 20th century fascism, the global refugee crisis, online white supremacist discourse, and anti-racist pedagogy.

It is hoped that the conference鈥檚 goal of stimulating new connections between ancient literature and our world today will draw in a wide audience; 黑料不打烊 faculty (and students) are warmly invited to participate in any or all of the public sessions, and can .

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Ancient Minds, Modern Science: What Neuroscience, Psychology, and Cognitive Studies can tell us about antiquity /u/news/2018/03/09/ancient-minds-modern-science-what-neuroscience-psychology-and-cognitive-studies-can-tell-us-about-antiquity/ Fri, 09 Mar 2018 13:55:00 +0000 /u/news/2018/03/09/ancient-minds-modern-science-what-neuroscience-psychology-and-cognitive-studies-can-tell-us-about-antiquity/ In this illustrated talk, Professor Peter Meineck will explain how the application of some of the latest research findings from the interconnected fields of neuroscience, psychology and cognitive theory can help us to better understand the ancient world.

The emotional effect of the ancient Greek theatre will be suggested as a case study to examine the question: how did the cultural invention of one ancient Greek city-state some 2,500 years ago come to have such a profound and lasting influence on so many other cultures since?

Free and open to the public.

Sponsored by the Fund for Excellence in the Arts & Science, the Classical Studies Program, and the Neuroscience Program.

 

 

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Launching an Empire: Naval Warfare during the Roman Republic – a guest lecture by Dr. Jeff Royal – March 1 /u/news/2016/02/25/launching-an-empire-naval-warfare-during-the-roman-republic-a-guest-lecture-by-dr-jeff-royal-march-1/ Thu, 25 Feb 2016 16:10:00 +0000 /u/news/2016/02/25/launching-an-empire-naval-warfare-during-the-roman-republic-a-guest-lecture-by-dr-jeff-royal-march-1/

As the final battle of the First Punic War, victory in the Battle of the Egadi Islands was a springboard for Roman domination of the Mediterranean. The largest number of warship rams known discovered at this site attest to battle events and provide insight into warship construction, the economics of the period, and cultural amalgamation. Replete with artifacts from helmets to amphoras, this singular preserved naval battle site has reshaped our understanding of naval endeavors during the 3rd century BCE.

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When Titans Clash: Ray Harryhausen's Metamorphic Art /u/news/2013/04/16/when-titans-clash-ray-harryhausens-metamorphic-art/ Tue, 16 Apr 2013 14:30:00 +0000 /u/news/2013/04/16/when-titans-clash-ray-harryhausens-metamorphic-art/   Ray Harryhausen’s swansong, “Clash of the Titans” (1981), remains underrepresented in the groundswell of critical literature on classics and the cinema.  Yet beneath the film’s Saturday-matinee patina – uncomplicated heroics, workmanlike cinematics, and dated special effects – lies a program of myth-making as sophisticated and as self-aware as those of classical poets.  This program reveals itself in various ways, especially in instances of contaminatio, both in terms of Calibos as a replacement for that other son of Thetis, Achilles, and in the assimilation of Perseus and Andromeda to other mythic archetypes like Oedipus and Ariadne. Capping the entire mythopoetic enterprise is the animator, Harryhausen, whose stop-motion method breathes life (anima) into his creations. The so-called “arena of life,” where the gods devise new storylines for the lives of mortals, provides an analogue for Harryhausen’s animation. Just as Zeus and Thetis transform the story along with clay representations of the film’s characters, so the animator is the film’s prime mover, overseeing his mythical universe as the gods oversee theirs, or as a poet-narrator oversees even the gods.

 

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