Through photos and personal accounts, journalist Tom Clynes tells 黑料不打烊's Liberal Arts Forum audience the attributes and actions he's seen lead to world-changing advancements.
Viewed from a wide angle, the thought of changing the world is daunting and vaguely terrifying.
But in close-up 鈥 at the zoomed-in level Tom Clynes has witnessed first-hand in a career traveling the world as a writer and photographer for publications as prestigious as National Geographic and The New York Times 鈥 changing the world looks simple.
You only need the audacity to believe you can.

鈥淎udacity is the propensity to take a risk to do something bold,鈥 Clynes said. 鈥淢ost of us have the capacity within us to do amazing things, but we often don鈥檛 believe it. When we do, when we believe we can actually change the world, that鈥檚 audacity.鈥
Clynes鈥 program for the Liberal Arts Forum Lecture, 鈥淭he Art of Audacity,鈥 spanned the globe and his career. From the front lines of the Ebola outbreak in Uganda, to the melting glaciers of Greenland, to the unspoiled jungles of the Congo and Gambon, Clynes took the audience gathered in Whitley Auditorium on Thursday into intimate personal moments with men and women around the globe.
Skeptical of one of his subjects, J. Michael Fey, a man bent on raising awareness to the importance of Africa鈥檚 last true wilderness with a 1,700-mile trek through the jungle, Clynes asked him: 鈥淲hat do you hope to accomplish from this trip besides attention?鈥
Fey looked at him for a moment. 鈥淚 don鈥檛 know, but I get the feeling something good will happen if I do it.鈥
Within a few years, Fey raised millions of dollars and had the president of Gambon as an ally in buying back 13 percent of the country鈥檚 wilderness from logging companies for national parks and wildlife reservations.
A formula began to take shape for Clynes. They read like platitudes, but he鈥檚 seen the markers too often to ignore them. Follow your heart. Go with your instinct. Be less selfish. Use setbacks as signs you鈥檙e doing the difficult work the world needs.

鈥淚鈥檓 not brave,鈥 the South African real estate developer who traveled into the Iraq war zone in spring 2003 to rescue animals in the Baghdad Zoo at the frontlines of the U.S. invasion told Clynes. 鈥淚鈥檓 just a person in utter denial of my own limitations.鈥
Illustrating his points with breathtaking, sometimes heartbreaking, photos, he elicited gasps, 鈥渙ohs鈥 and 鈥渁hs鈥 from the crowd.
A photo of a whale shark 鈥 鈥渁s big as a locomotive鈥 鈥 with a diver floating alongside appearing as small as a toy soldier was the first to capture an audible reaction. The face of an inquisitive gorilla peering through the jungle grass at Clynes, close enough to touch, was another.
Some wiped away tears when he showed a photo of what was later realized as the moment Matthew Lukwiya, a heroic African doctor, caught the Ebola virus while caring for his dying medical colleague. Lukwiya鈥檚 early actions to stop the spread of a mysterious virus 鈥 Ebola had never surfaced in Uganda before 鈥 saved thousands of lives and helped contain an epidemic.
鈥淪omething I鈥檝e seen in kids and certain people: This idea of your future self as something else,鈥 Clynes said. 鈥淭hen there鈥檚 this road-mapping they do. 鈥極K, how do I get there to that future I want?鈥欌
He then told the story of Taylor Wilson, the subject of his book 鈥淭he Boy Who Played With Fusion,鈥 who set out to build an affordable nuclear fusion reactor in his garage after his grandmother鈥檚 cancer diagnosis. He wanted every hospital to be able to have one for better cancer detection. Wilson accomplished his goal at age 14.
So, what do you think? Is it possible for one person to change the world in a big way?鈥 Clynes asked. 鈥淵ou know where I stand, obviously.
鈥淭his is a thank you note to the people 鈥 who took these wild ideas not knowing where they were going to go and made them work for the benefit of humanity.鈥